%% [[Philosophy of Race Syllabus Materials]] – [[Hunter PHIL226 – African American Philosophy]] [[african-american philosophy]] [[References]] [[gender]] [[masquerade]] [[irony]] [[Carribean]] %% # Black Gender Masquerade (References) **Ramnath 2022, Kinship꞉ Feminist Theories of Race & Reproduction Syllabus** - Edmondson, Belinda. “Public spectacles: Caribbean women and the politics of public performance.” Small Axe 7, no. 1 (2003): 1–16. - Liverpool, Hollis. 2001. Rituals of Power and Rebellion: The Carnival Tradition in Trinidad & Tobago, 1763–1962, pp 63–87. - Danet, Brenda. “Text as mask: gender, play and performance.” Cybersociety 2 (1998): 129–158. - Gill, Lyndon, K. 2018. Inheriting the Mask: A History of Parody in Trinidad’s Carnival. In Erotic Islands: Art and Activism in the Queer Caribbean pp 31–50. - Gill, Lyndon, K. 2018. Peter Minshall’s Sacred Heart and the Erotic Art of Play. In Erotic Islands: Art and Activism in the Queer Caribbean pp 51–77. - Gill, Lyndon, K. 2018. Echoes of an Utterance: A History of Gender Play in Calypso. In Erotic Islands: Art and Activism in the Queer Caribbean pp 87–106. - Henry, Frances and Jeff Henry. 2020. Stories of Resistance and Oppression. In Frances Henry and Dwaine Plaza eds, Carnival Is Woman: Feminism and Performance in Caribbean Mas, pp 43–56. - Plaza, Dwaine and Jan DeCosmo. 2020. Women and the De-Africanization of Trinidad Carnival: From Jamette to Bikini Beads and Feathers. In Frances Henry and Dwaine Plaza eds, Carnival Is Woman: Feminism and Performance in Caribbean Mas, pp 21–42.